Post by Matthew DickinsonYou think a screenplay written by the writer of "Batman and Robin" is
going to be as good as Ellison's?
Maybe. I know that's hersey but...
First I should say I never liked the I, Robot script Ellison wrote as much
as some. It had its moment, but I still think it did not address the
dramatic conflicts you need in a feature length film. I was frankly
speaking -- bored by it.
Secondly, and this I know from first hand experience, a bad script from a
screenwriter does not neccessarily equal a bad screenwriter. Scripts get
fucked up for a lot of reasons and seventy percent are not the fault of the
writer. And even if the Batman and Robin script (which I don't think was
that horrible; I think its failure lies solely with Joel Schummacher's
re-imagining Batman as 1920s German Cabaret) was bad. So what?
Writers - even terribly successful writers - have off moments. Bad ideas,
bad stories, bad novels, bad scripts. I think we can agree that among
Harlan's many gems there have been more than a handful of lumps of coal.
Same thing with screenwriters.
Look at Brian Hegeland who has written some of the best scripts ever made
(L.A. Confindential, Mystic River, etc) and also some of the worst
(Bloodwork, The Order, etc). And, hell he is going to probably win a second
academy award this year.
Post by Matthew DickinsonYou wouldn't rather have his made,
especially given that Asimov wanted it to be made from this script as
well?
Authors of novels often have a rather bad idea of what makes a good scripts.
As forms of literature a novel is as different from a script as a Chevy is
to a Bentley. Novels are long, flowing, hopefully engrossingly written
explorations of words and metaphors that amble on in their own span of life
and death.
Scripts are mean, lean, and that exceptionally poorly written visual
blueprints for a director, actors, and 100 man crew needs to assemble a
flimic masterwork. Or the next Hollywood blockbuster.
Post by Matthew DickinsonAnd race did not enter my mind when I named Will Smith...
That's good. I am a little quick to jump on race simply because I've noticed
a nasty trend in certain science fiction fans - especially from and of the
Golden Era of Pulp - to have a very white washed view of Sci-Fi fiction and
fantasy. Throw in a ctoken Asian and a token black, and the white race goes
around the galaxy saving humanity from itself.
I still don't know your objection to Will Smith then. He's a fine actor. And
depending on the script, I think he works as a detective in the Future.
Larry